11/1/2022 0 Comments Silo movieThat was frightening from an action element in that film.įor Silo the tension and the action feels so real, which shouts back to the camera angles and lighting. Wherever I think of a Silo, I recall Harrison Ford killing one of the bad cops by burying them in corn. Grain entrapment is much more common than you might think. It felt as though I was right there in the mix watching the action unfold. The manner in which the film is shot will draw you in. The characters are spot on, and as a result Silo has a level of authenticity. The more you peel the onion, the more elements you see so many different prior events that are impacting the current action unfolding on the screen. On the top level you have a blood pumping disaster situation. I look at the film as if it were an onion. I went to school with many farmers and silos were common throughout the state. Having grown up in the Midwest, I can relate to the farm life portrayed in the film. Watching the film pulled at my heartstrings. I do just wish it was clearer as to its point (which it clearly has) and that the absurdity of the situation had connected to me better than it ultimately did.Silo is a great example of a film that takes audiences on a rollercoaster of emotions. Green is engaging in the lead despite not having any words, and it does have a great sense of engagement by the way it does this. The use of the location and the way it silently plays out does make it worth seeing though, and it does look great as it uses the disused silo really well. I read on a blog that writer/director Soll's day job is creative producer for some of the Democratic party – which adds interest to the idea of not looking after what we have but then trying to fake it once the reality is gone, however this interest is not in the film as I wanted. SILO MOVIE PLUSOne could dig into that plus the theme of bureaucratic pointlessness, but I didn't get much from it not the smartest man perhaps, but I do think the film could have helped me out a little with this. I guess there must be a meaning behind it, and for sure the van Goethe quote at the start suggests that it must be an allegory for something, since the man prefers fake versions of reality even though he already has it, but then once he loses it, it all becomes very real and the counterfeit no longer is enough. That said, I did not find it s smart or as funny as I would have liked, and in the end it gave me a certain "humph" of pleasure to see it play out, but at the same time I would have preferred it do this in a shorter time, or have brought a bit more to the table. The silo being repaired but the missile itself becoming a literal paper tiger is daft but engaging. That is not to say that this is a silly film or a daft one, on the contrary it is a very well paced and totally silent film which builds the acceptance of the absurd into the fabric of what it is doing. There is a certain level of silent absurdity with this short film, because the events that unfold are not realistic. As a result the man steps up and determines to make the silo better than ever, and halfway to his next inspection he is well on his way – apart from one small detail. A man working alone in a missile silo receives a poor performance review on his most recent inspection – with the note that maintenance tasks are being neglected due to his hobbies.
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